立足传统,返本开新:朱志荣中国美学史观述评

The Tradition-Orientated Innovation:Review of Zhu Zhirong's View of Chinese Aesthetic History

朱志荣通过自己多年的中国美学史研究,对中国传统美学思想加以系统整合与理论提挈,逐渐形成了一种纵横拓展的大美学史观念,彰显了中西对照的跨文化比较视域,并倡导历史与现实相融通的致思路径,践行实证与思辨相统一的研究方法。他力求从文献、器物、制度、文化等不同层面展开中国美学史研究,深入发掘中国传统文化资源中的美学潜质和理论新质,从而为中国美学史研究提供了新的理论基点、研究视角和论域,并为进一步发掘中国传统美学的深层次价值,促进中国传统美学的现代转换和运用创造了新的条件。

Through years of study of Chinese aesthetic history,Zhu Zhirong has made Chinese traditional aesthetic theory system integrated and theoretical generalization,and a vertical and horizontal expansion of aesthetic history concept has gradually formed,which revealed the intercultural comparison perspective between Chinese and western culture,promoted the ways of thinking integrating history and reality,unified research methods of positivism and speculation.He strived to study Chinese aesthetic history from literature,artifacts,system,culture and other aspects to explore the resources of aesthetic potential and new theoretical quality deeply in Chinese traditional culture,thus provided a new theoretical base,research perspectives and domain for the study of Chinese aesthetic history,And paved the way to explore the deep value of Chinese traditional aesthetics and promote Chinese traditional aesthetics to modern transformation.