闽南拍胸舞中“打七响”动律的文化人类学阐释

Interpretation of the Rhythm of "Daqixiang" in Minnan Paixiong Dance in Cultural Anthropology

本文以闽南拍胸舞"打七响"动律为切入口,首先在对闽南拍胸舞打七响的动律、运动线路、重心移动等要素进行分析、探究其风格特征的基础上,对"打七响"动律所蕴含的闽南人对"七"数崇拜的民间信仰以及对传统哲学阴阳观念的感悟所表现的意涵进行探讨,最后对闽南拍胸舞中"打七响"动律所呈现的动态性发展进行探寻,认为闽南拍胸舞之"打七响"动律不仅对海峡两岸《拍胸舞》的风格形成产生了重要的作用,还对闽南其它民间舞蹈动作的发展产生了一定的影响。

This paper starts from the rhythm of ＂Daqixiang＂ in Minnan Paixiong dance.First of all,the paper explores rhythm,movement routs and moves of center gravity for the ＂Daqixiang＂ in Minnan Paixiong dance,and analyzes the style and characteristics for it.Secondly,this paper discusses the rhythm of ＂Daqixiang＂ containing the worship of number seven in Minnan and shares the sentiments on ＂Yin and Yang＂.Finally,this papper explores the dynamic development in the rhythm of ＂Daqixiang＂ and states that the rhythm of ＂Daqixiang＂ plays an important role in formation for the style of Paixiong dance in two sides of the Taiwan Straits,and also in the development of movement s for Minnan folk dance.