摘要
妻妾关系是中国婚姻史上的重要问题,元明两代的戏曲作品对此都有所反映,呈现出来的风貌却不相同。元杂剧主要表现妻妾之间的相互对立,作家对"一夫多妻"制的婚姻持质疑态度;明传奇主要表现妻妾之间的和谐融洽,作家倾向于美化"一夫多妻"的婚姻制度。元明戏曲中婚姻观念的差异,根源于元明两代戏曲作家社会地位和创作观念的不同。
The relationship between wife and concubine was an important problem in the Chinese marriage history,which was reflected in the dramas both of Yuan and Ming Dynasty,but presented different styles.The dramas in Yuan Dynasty displayed mutual opposition between wife and concubine,and the writers questioned the polygamy.The romances in Ming Dynasty displayed harmony between wife and concubine,and the writers tended to praise the polygamy.The difference on marriage ideas in the dramas between Yuan and Ming Dynasty was rooted in the writers' different social positions and creating concepts in indifferent times.
出处
《阴山学刊》
2011年第5期59-62,81,共5页
Yinshan Academic Journal
关键词
元杂剧
明传奇
妻妾关系
相互对立
和谐融洽
Dramas in Yuan Dynasty
Romances in Ming Dynasty
Relationship between wife and concubine
Opposition
Harmony