摘要
第六代导演贾樟柯的电影《三峡好人》拒绝表现前辈们热衷的那种形而上学的中国形象。将电影文本中出现的四个物象与电影意识形态要素相联系,从而指出导演拍摄电影的意图,体现了其电影的史诗性和纪实性的特点,及其对作为主题的"变化的现实"的态度。
The film Still Llife directed by Jia Zhangke refuses to present the metaphysic China image that his predecessors were interested in.According to the relationship of the four items and elements of ideology in the film text,the intention of the film is shown;the characteristic of epic and realism is reflected,and the attitude to the theme,namely the ＂reality of the great transformation＂ is shown.
出处
《阴山学刊》
2011年第5期76-81,共6页
Yinshan Academic Journal
关键词
贾樟柯
《三峡好人》
好人
历史阐释
Jia Zhangke
Still life
Kind people
Historical Hermeneutics
