摘要
写意抒情的创作原则使悲情苦境成为中国古代戏曲抒写人生悲剧性感受的重要方式。随着古代叙事文学观念的逐步成熟,剧作家对人生苦痛的主体性宣泄逐渐转化为客体化表达,这种客体化表达以悲剧性境遇的营造为其突出标志,具体通过叙述模式、悲剧性冲突以及悲剧主体等方面的变化来完成。剧作家观照和抒写人生苦痛方式的悄然变化,标志着悲剧意识在戏曲文学中的成熟,推动了戏曲悲剧杰作的诞生,同时表明戏曲作为叙事文学的本质规律开始得到了承认和体现。
The freehand and lyric writing principle makes tragic plight become an important way for classic Chinese opera to express tragic experience of life.With the gradual maturity of ancient narrative literature concept,playwrights＇ subjective catharsis of life pain is gradually converted into objective expression which takes the creation of tragic situation as prominent signs and is achieved specifically through the change of narrative mode,tragic conflict and tragedy subject and so on.The way that playwrights watch and describe the life suffering has been quietly changed.It marks the maturity of tragic consciousness in Chinese opera literature,promotes the birth of tragic Chinese opera masterpiece,and also shows people＇s recognition and reflection on the essential rule of Chinese opera which belongs to narrative literature.
关键词
古代戏曲
悲情苦境
悲剧性境遇
抒写方式
ancient Chinese opera
tragic plight
tragic situation
express way
