论中国现代文学中的“偷窥”叙事

Narrative of Peeking in Modern Chinese Literature

"偷窥"是人类生理和心理上普遍的共性现象,也是文学叙事的母题。"偷窥"叙事存在于中国现代文学各个时期的文学作品中,其有三重指涉功能:一是反映了特殊社会时期欲望主题的一种言说方式,即创作主体绘制的一幅人性原欲图;二是表征了文学作品人物的多重人格的诗学内涵,揭示了人性多变的真相;三是表达了生命个体自发的快感追求和审美需要的渴望。其意义在于:它从多个维度彰显了现代作家在文化转型时期的复杂文化心理,而由此促成的创作路数丰富了文学的主题叙事和形式意义,成就了文学场里不同层次的欲望满足和审美体验,从而及时刷新了现代读者的审美期待和阅读想象。

Peeking is not only a universal human desire both physiologically and psychologically, but it is the motif of literary narrative as well. The literary works in different periods are usually embellished with peeking narratives, whose referential function is three fold. Firstly, it is a speech mode reflecting the theme of desire in a particular society, i.e. a map of human desire drawn by the writers. Secondly, it represents the poetic connotations of the different facets of the personality of the literary figures, revealing the volatile nature of human beings. Thirdly, it speaks for the spontaneous pursuit of sensual satisfaction and the desire for the fulfillment of aesthetic needs of each individual. The significance of peeking narrative lies in： as a mirror of the multiple dimensions of the psychology of modern writers in different periods of cultural transformation, it gives rise to new ways of literary creation and enriches both the theme and form of literature; it also makes it possible to fulfill the different desires and aesthetic experience in the literary field, thus refurbishing the aesthetic expectations and imaginations of modern readers.