从民间文艺到大众文化的身份转换——兼论“刘老根大舞台”二人转的身份焦虑

The Identity Change from Folklore to Popular Culture——And Worries on the Identity of the Song-and-dance Duet in "The Big Stage of Liu Laogen"

二人转本是东北地方的民间文艺,由于其具有鲜明的娱乐性和狂欢化特点,契合了大众化时代大众的审美趣味和文化诉求,加之赵本山的成功推动,近年呈现出一种大众文化的流行势态。尤其是在"刘老根大舞台"成功的"文化产业"运作模式下,二人转已经不再是作为东北民间文艺的二人转,而是一种被"文化工业"制造出来的大众文化,其文化身份也由民间文艺转变成为一种具有中国本土化特征的大众文化。

The song-and-dance duet had been the folklore in the Northeast China.But in the recent years,because its distinctive characteristics of entertainment and revel correspond to the aesthetic taste and culture demands of the public,the song-and-dance duet takes on a popular trend of mass culture,which also thanks to Zhao Benshan＇s successful push.Especially under the successful operation pattern on culture industry of ＂The big stage of Liu Laogen＂,the song-and-dance duet is not what used to be a song-and-dance duet as a kind of folklore in the Northeast area,but a type of mass culture produced by ＂culture industry＂ and its culture identity has also transformed from a folklore to a kind of popular culture that owns the Chinese local features.