摘要
本文通过分析《蝴蝶君》如何解构传统话语模式中的东方与西方的关系,肯定了该剧以解构的方式挑战话语权威性和颠覆文化霸权下的强弱关系所具备的积极意义,并对剧本在解构上存在的缺失及其原因进行了详尽的分析,表明只有确立各种话语模式存在的可能性才是解构的真正目的。
This Paper analyzes M.Butterfly to illustrate the deconstruction of the relationship between the orient and the occident in traditional utterance patterns,confirms the positive importance of challenging the discourse authority and subverting cultural hegemony.Meanwhile,it answers why there exists deficiency on deconstruction in this drama and demonstrates the possibility of establishing various utterance patterns is the real purpose of deconstruction.
关键词
解构
话语模式
重建
deconstruction discourse mode reconstruct
