摘要
巴赫金的"文化诗学"避免了时下"文化研究"常见的"表征性"阐释之弊,而以人文精神为出发点和归宿,既有文化的广阔视野,又有历史的深邃维度,并以哲学人类学的透视高度,打通了马克思主义与形式主义研究之间的壁垒,用宏观与微观相结合的方法,通过体裁的追溯、母题的发现,形象的阐发,语体的分析等,使其阐释自由游走于文学文本和文化文本之间,并揭示形象、母题等内涵的世界观意义。这一点在《拉伯雷研究》中表现得尤为明显。
Bakhtin's "cultural poetics"avoids the disadvantages of common "representation" interpretation in "cultural studies"nowadays,regarding humanism as its starting point and destination.It has both broad cultural perspective and deep historical dimensions.It also has the high degree of philosophical anthropological perspective,opening up the barriers between the study of Marxism and the formalism.Using a combination between macro and micro methods,through the retrospective genre,motif discovery,elucidation of the image,body language analysis,it is free to walk in the interpretation of the texts between literature and the culture,and reveal the world significance of the image,motif and other content.This,in the "study of Rabelais",is particularly evident.
关键词
巴赫金
拉伯雷研究
人文
文化诗学
Bakhtin study of Rabelais humanism cultural poetics