艺术和爱情的自喻化抒写——田汉1920年代的话剧创作

A Description of Art and Love——Tian Han's Modern Drama Creation in the 1920s

田汉喜欢以自己的人生经历为题材进行创作,这使他1920年代的剧作表现出很强的直喻性,从他的处女作《梵珴璘与蔷薇》到后来的《获虎之夜》、《名优之死》、《古潭的声音》、《湖上的悲剧》、《南归》等剧作中,我们能看出田汉和他的苦难的主人公之间的密切贴合。田汉采用浪漫主义的创作手法,对艺术和爱情进行了自喻化的书写,传达出那个时代的知识青年普遍具有的孤独和苦闷情绪。

Tian Han preferred to write modern drama based on his personal life experiences, which makes his drama in the 1920s more autobiographical. We can find close link between Tian Han and his he roes or heroines in many of his works. Tian Han gave a description of art and love with artistic technique of romanticism, conveying educated young people＇s loneliness and depression prevailing at that time.