中国美学学科形态的新探索——评劳承万《中国古代美学(乐学)形态论》

China's Aesthetics Disciplinary Formulation: LAO Chengwan's China's Ancient Aesthetics(Gaietics) Formulation

中国美学学科形态的建立是一个去西方化的过程,去西方化是去发现中国有没有对应于西方美学的东西,劳承万在《中国古代美学(乐学)形态论》一书中指出,在中国没有西方式的美学,只有"礼—乐"文化精神中之"乐学","乐"是中国人的精神庇护所,是中国美学唯一的落脚点与栖息地。

The establishment of Chinese aesthetic subject form is a process of westernization. Westernization is to discover whether China has things corresponding to western aesthetics. As LAO chengwan said in his book China＇s Ancient Aesthetics （C-aietics） Formulation, there is no western-style aestheics in China, rather than gaietics （ leism ）. He is Chinese spiritual shelter and the only end result and habitat of Chinese aesthetics.