道与器:中国诗学研究的独特视角——读劳承万《中国诗学道器论》

"Logos" and "Utensils" in Special Perspectives of China's Poetics: LAO Chengwan's Chinese poetry: "logos" and "utensils"

劳承万教授《中国诗学道器论》以康德哲学和中国心性哲学为理论支点,从道与器的视角研究中国诗学,认为中国没有西方式的诗学概念,只有"诗之为教"与"诗之为经"、塑造人格并从属于政教与治道的实践型诗学,从而构建了自己的诗学体系,为中国诗学研究提供了新的视角。

Regarding Kantian philosophy and Chinese Philosophy of human nature and mind as the theory fulcrum, Professor Chengwan Lao＇s Chinese poetry： ＂logos＂ and ＂utensils＂ studies Chinese poetics from the perspective of ＂logos＂ and ＂utensils＂, it is suggested that there is no western poetic concept in China. On the contrary, he believes that there is only ＂poetry as moralism＂ and ＂poetry as classics＂ in Chinese poetry, which shape human＇s characters and are subject to practical poetry used for sermon and governance. Thus he constructs his own poetics system, and provides a new perspective for China＇s poetics.