《水星》小说与20世纪30年代的文学合流

On the Novel of Mercury and the Confluence of Literature in 1930s

《水星》存在的时间虽然不长,然而它打破了当时北平文坛的沉寂,消除了南北文学观念的分歧,其在沟通学院派与文坛关系方面的功劳也不可忽视。尤其值得注意的是,把《水星》小说作为研究对象,会发现京派作家、左翼作家、中间派作家在《水星》中形成了"三家鼎立"的创作局面,且展现了20世纪30年代文学合流的趋势。如此,探讨《水星》小说及其合流现象,有助于我们近距离触摸20世纪30年代文学多元共生的历史场景,有助于我们了解20世纪30年代文学发展嬗变的历史轨迹和真实面目,也有助于我们明确《水星》在文学史上的意义和价值。

Even if existence of Mercury was not long,it had broken the Beijing literary silence,and it also had eliminated the differences between the North and South literature concepts,and of course the contribution of communicational college and literary world could not be ignored.Particularly,choosing the novel Mercury who as the study point would help us to find out that Beijing circle writers,left-wing writers,and centrist writers on the Mercury who had created a situation of ＂separation of the three＂,including the trend of convergence in 1930s.In this way,exploring the confluence of three literary phenomenon in Mercury could help us to closely touch the 1930s symbiotic literary history of multiple scenes,and further more to restore the development and evolution of the literature history and the truth in 1930s,and finally we can determine the meaning and the value of Mercury in literary history.