摘要
老庄的"道"与儒家的"和",其对立统一的思想,都显现着"天人合一"的整体观。中西古代哲学强调的"一",即是"同一"的特有整体的代码。中国艺术创构在对独特性的追求中,着眼于表现事物的复杂联系的整体生态背景。考察古代艺术辩证法的形式范畴的基本构成,我们把相反相成的艺术生成系统的基本构成法则,概括为二:一是对立统一的基本关系与张力整体,二是整体和谐,均衡、对称与立体的结构效果。
" Tao" in Taoism and " harmony" in Confucianism all embody the overview of " unity between men and nature". Ancient Chinese and Western philosophy stressed " one" , that is the Code of " alikeness". Chinese art construction pays much attention to represent the complex relationship among things and its integral ecological background. Investigating the basic composition of the form category of ancient art dialectics, we could divide it into two. Firstly, it is an integral unity full of tensile force. Secondly, it has a harmonious, symmetrical, three - dimensional structure.
出处
《艺术百家》
CSSCI
北大核心
2011年第6期120-124,共5页
Hundred Schools In Arts
关键词
中国古代艺术史
相反相成
艺术辩证思想
反(返)
和
艺术学理论
Ancient Chinese Art History
Oppose Each Other but also Complement Each Other
Art Dialectic Thoughts
Retreat
Harmony