摘要
巴音郭勒短调民歌,保持了传统蒙古族民歌的调式特点,音乐多以五声音阶为主而构成。其旋律音程幅度大,体现了在一定程度上受其他少数民族音乐影响而形成的独特风格。新疆巴音郭勒短调民歌节奏也形成了自身的特征,其短调民歌的曲体结构保持了蒙古族风格的独特魅力。
Bayangol short-tune folk songs have maintained the tuning features of traditional Mongolian folk songs,and the music have more oriented to the pentatonic scale and composition.The large range of melodic intervals,reflecting to some extent by the effects of other ethnic minorities formed a unique musical style.Xinjiang Bayangol short-tune folk songs also formed its own rhythm characteristics,the short-tune folk songs structure maintains a unique Mongolian-style charm.
出处
《内蒙古大学艺术学院学报》
2011年第3期57-62,共6页
Journal of Art College of Inner Mongolia University
关键词
新疆
巴音郭勒
蒙古族短调民歌
调式调性
旋律
节奏
结构
Xinjiang
Bayangol
short-tune Mongolian folk songs
modal transfer
melody
rhythm
structure