摘要
在相当于明清时期的印度莫卧尔王朝鼎盛时代,宫廷绘画主要学习的是波斯细密画。波斯细密画的源头,可以追溯到蒙古忽必烈汗时代宫廷绘画艺术,特别是人物肖像方面。莫卧尔王朝细密画有其风格变化,其中的杰作之一《贾汗吉尔朝见苏菲派长老和其他国王》是当时东西方文化碰撞的典型例子。
In the equivalent period of the Ming and Qing dynasties flourishing Indian Mughal era,the palace painting is mainly the learning of Persian fine painting art.Persian miniatures can be traced back to the times of Mongolian palace art of painting in the court of Kublai Khan,especially in portraits.Mughal dynasty fine art has its own style changes,among which one of the masterpieces is ＂Meeting Jahangir Sufi elders and other kings,＂ and was a typical example of East-West cultural collision.
出处
《内蒙古大学艺术学院学报》
2011年第3期77-79,共3页
Journal of Art College of Inner Mongolia University
