摘要
在西方传统中,人之本性与其观看的本质,或以图像为中介与世界打交道的方式密切相关。图像既驱动了人的时间意识,使其从混沌一体的自然状态中进入"历史",但对图像的执迷同时也带来了某种将流动的时间、生命固化为某种空间"形式"的危险。而借助海德格尔对"看"的现象学分析,可以发现源始的"看"总是与时间境域水乳交融,与人在世界中的操心、决断不可分割地联结在一起。
In western cultural tradition,human nature and their inbeing of seeing is perhaps closely related to the way of dealing with the world through the eidos. But when the eidos makes the people' s sense of time from the nature state of chaos into the "history", the obsession about eidos will bring a danger which makes the floating time and life into some kind of aptotic spacial form. So we can find original seeing is always connected with time hori- zont,sorge and entschlossenheit through Heidegger' s phenomenological analysis about "sicht".
出处
《南昌大学学报(人文社会科学版)》
CSSCI
北大核心
2011年第6期37-43,共7页
Journal of Nanchang University(Humanities and Social Sciences)
基金
国家社会科学基金项目"中国古代视觉意识研究"(10CZX050)