摘要
通过对洪迈存世文献的基本考察,我们可以大致总结出其讨论文学创作主体的基本主张。总的说来,洪迈对于创作主体的道德判断和要求,高于其对创作主体的文艺判断和要求。这固然是受到了儒家正统文艺观念的影响,但更与其个人的政治经历密切相关。同时,洪迈并未完全否定创作主体对文艺性的追求,相反,他主张创作主体应当具备真性情,更鼓励创作主体之间的交流和借鉴。这些主张都是有一定积极意义的。
According to the study of the current documentation of Hong Mai,we can understand his basic position on discussion of creative subject.In the whole,Hong has more moral than artistic judgments and requirements for author.The evolution of such thoughts is not only influenced by the orthodox artistic viewpoints of Confucianism,but also related to his personal political experience.In addition,Hong didn't totally deny the pursue for artistry of author.On the contrary,Hong advocated that the author should embody the real personal traits o and encouraged the exchanges between creative subject.Such viewpoints of Hong are still positive in some aspects.
出处
《暨南学报(哲学社会科学版)》
CSSCI
北大核心
2011年第5期119-124,163,共6页
Jinan Journal(Philosophy and Social Sciences)
基金
江西省高校人文社会科学资助项目<江西家族与文学之关系研究--以鄱阳四洪为例>(批准号:ZGW0911)
关键词
洪迈
文学
创作主体
Hongmai
literature
author