摘要
长期以来,人们对魏晋风度的界定主要是从纯美学角度出发的,其中以"文的自觉"、"人性的觉醒"、"人的觉醒"三种观点最具代表性。本文从魏晋风度的构成元素入手,透过觉醒之本质对魏晋风度展开论述,认为魏晋风度是魏晋名士相对于汉代世俗的、关于人的认识与理解的觉醒,是审美的觉醒,其核心是自然,并据此阐释了魏晋风度的相关表现形式。
For centuries, the later people gave different definitions to the Popular Demeanor in the times of Wei-Jing (220-240?) , based on the aesthetics. The influential definitions are: the awareness of literature, awareness of human-nature and of person-himself. When studied the elements of the Popular Demeanor, we think that the Popular Demeanor was, at that time, a kind of awareness came partly from the perceptivity of earlier social conventions, but mainly from the nature. It is a new start of aesthetics. And the performance of the demeanor is re-stated as well.
出处
《安康学院学报》
2011年第6期58-60,共3页
Journal of Ankang University
基金
安康学院高层次人才科研启动项目(AYQDRW200933)
关键词
魏晋风度
士
觉醒
表现形式
Popular Demeanor
middle-upper classes
awareness
forms