摘要
在早期电影歌曲中,时间意象占有重要地位,"春"、"四季"、"夜"等尤有代表性。它们通过感时起兴、创造时间场、隐喻象征等叙事方式,创造出了一系列艺术奇葩,表现出具有现代性的美学特征:对新陈代谢的客观规律、除旧布新的思想内涵和时不我待的人生追求的向往。研究时间意象不仅有助于科学地认识早期电影歌曲,还能为当代同类艺术的发展提供借鉴。
Time images occupy an important position in the early film songs."Spring","the four seasons",and "evening" are all typical time images.By marveling at the prosperity of the times,by creating time fields,and by making metaphorical symbols,these time images have created a series of artistic exotic flowers,which demonstrate aesthetic features imbued with modernity: being attracted towards the objective law of metabolism,yearning for the profound implict idea of getting rid of the old to make way for the new,and striving to realize the outlook on life that time and tide wait for no man.Doing research on time images not only helps us acquire a scientific understanding of the early film songs,but also provides useful reference for the development of contemporary arts of the same type.
出处
《上海师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2011年第6期103-110,共8页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
基金
教育部人文社会科学重点研究基地重点项目“中国早期都市流行歌曲与都市文化”(2009JJD840013)
上海市教委科研创新重点项目“早期都市流行歌曲与美学现代性研究”(2011-2013)
关键词
电影歌曲
时间意象
叙事作用
美学特征
film songs
time images
the role of narration
aesthetic features