从葆拉·马歇尔《寡妇颂歌》中的民俗事象说起
摘要
美国黑人女作家的作品有着丰富的民俗文化传统,葆拉·马歇尔的小说《寡妇颂歌》就是一个典型的例子。民间传说和民间音乐铸就了小说独特的文化底蕴和美学价值,同时这些民俗文化也因作品这个载体被赋予了更加久远的生命。
出处
《山东社会科学》
CSSCI
北大核心
2011年第12期164-168,共5页
Shandong Social Sciences
参考文献17
-
1Wendy W. Waiters, " ' One of Dese Mornings, Bright and Fair, Take My Wings and Cleave De Air' : The Legend of the Flying Africans and Diasporic Consciousness" ,in MELEUS,Fai1 1997, p. 1.
-
2Wendy W. Waiters, " 'One of Dese Mornings, Bright and Fair, Take My Wings and Cleave De Air' : The Legend of the Flying Africans and Diasporic Consciousness" ,in MELEUS, Fall 1997. p. 2.
-
3Meredith M. Gadsby,Sucking Salt : Caribbean Women Writers, Migration, and Survival, Columbia: University of Missouri Press, 2006, p. 25.
-
4Loma Mcdaniel, "The Flying Africans: Extent and Strength of the Myth in the Americas", in New West Indian Gu/de,1990, no: 1/2, p. 29.
-
5Zora N. Hurston, Tell My Horse, HarperCollins ebooks, p. 46.
-
6Thomas LeClair, "The Language Must Not Sweat: A Conversation with Toni Morrison" ,in Conversations with Toni Morrison, ed. Danille Taylor, Jackson : University Press of Mississippi, 1994, p. 122.
-
7Paule Marshall, Praisesong for the Widow, New York : Penguin Books USA Inc. , 1983, pp. 37 - 39.
-
8Meredith M. Gadsby,Sucking Salt : Caribbean Women Writers, Migration, and Survival, Columbia : University of Missouri Press, 2006, p. 23.
-
9Wendy W. Waiters, " 'One of Dese Mornings, Bright and Fair, Take My Wings and Cleave De Air' : The Legend of the Flying Africans and Diasporic Consciousness", in MELEUS, Fail 1997, p. 16.
-
10Paule Marshall,Praisesongfor the Widow,New York: Penguin Books USA Inc. , 1983, p. 132.