比较文学视野下的华语电影诗学的整体建构

On Chinese Languages Cinema Poetics

由于研究方法的局限,近30年的华语电影研究存在主体性和审美性的不足。因而,华语电影诗学应坚持以审美为中心,从美学、文化和产业跨学科比较研究的角度对华语电影的独特类型、主题模式、文化传统、身份意识、审美传统、产业模式等进行总体的和整体的研究。因为存在迎合西方、片面追求票房和偏重散点运作等方面的问题,华语电影产业进军海外市场并不理想。我们应立足华语社群,重点发掘泛亚电影市场;积极培育产业链;成立＂华语电影产业集群＂。讨论李安等的武侠电影的成功之处,是一个关乎全球化时代华语电影发展的重要问题。《卧》等影片成功的一个关键在于叙事策略的转变。它们不再满足于刀光剑影生活的奇观化呈现,而是通过叙事主旨的＂去江湖化＂、叙事方式的个性化和叙事内容的人文化,策动了一场华语武侠电影叙事策略的变革。

Because of the limitations of research method over the last 30 years,Chinese languages cinema＇s study is still insufficient on the study of subjectivity and aesthetic.So,Chinese Languages Cinema Poetics should do the integrat and general research on the special types,theme models,cultural conventions,identity consciousness,aesthetic traditions and industrial models all which hold the center on aesthetics from the perspective of cross-disciplinary comparative study on aesthetics,culture and industry.And because of the limitations,such as catering for the West,going in for box office unilaterally and splattering operation,Chinese Languages Cinema Industries didn＇t acquire ideal result in overseas market.We must keep a foothold on Chinese Languages associations,explore LAZA movie market,and found the clustering of Chinese Languages Cinema Industries.On the success of those Swordsman films of Li An,Wang Jiawei and Wu Yusen,is an important issue relation to the development of Chinese Languages Cinema in the globalization era.One success of those Swordsman films is the change of Narrative tactics.Those films should not content to representing the life of Swordsman spectacularly,but for the ＂de-outlaw-world＂ at narrative purport,individuality narrative pattern,and humanize narrative content,incited a change of the Narrative tactics of Chinese Languages Cinema.