中国戏曲之本体:场上搬演——周贻白戏剧史观研究

Ontology of Chinese operas: playing on the spot——study on theatre history ideas of Zhou Yibai

针对周贻白的戏剧史观中所强调的"包举全体"和"场上搬演"的思想,运用比较研究的方法,探讨王国维、吴梅与周贻白在戏剧史观念上的差异,肯定了周贻白戏剧史观的划时代意义,即他揭示了戏剧作为剧场艺术的本体性特征。

Aiming at Zhou Yibai＇s theatre history ideas of ＂including all the kinds＂ and ＂playing on the spot＂,this paper used the method of comparative study to investigate the difference of theatre history ideas among Wang Guowei,Wu Mei and Zhou Yibai,and affirmed that Zhou Yibai＇s theatre history ideas are certainly the landmark views which reveals the ontological characteristics of operas as the art of theater.