摘要
《琵琶记》是南戏经典剧作,历代对它的评价颇高,被冠之以"曲祖"之称。在用韵、格律、宫调等音律方面,明清文人学士对《琵琶记》褒贬不一,曲家之间的这种争议影响并推动了明清戏曲理论的发展,《琵琶记》对戏曲音律理论的最终形成具有借鉴意义。
As a classical work of Southern drama,Pi Pa has a high value in history and is crown by the name of "the forefather of drama".In the respect of temperament such as rhyme,rules and forms of classical poetic composition,modes of ancient Chinese music,drama critics of Ming and Qing Dynasty had different judgment on it.The disagreements affect and promote the development of the dramatic theory in Ming and Qing Dynasty.Pi Pa has the significance of drawing lessons to the ultimate formation of drama temperament theory.
出处
《河西学院学报》
2011年第6期70-74,共5页
Journal of Hexi University
关键词
《琵琶记》
用韵
格律
宫调
借鉴意义
Pi Pa
Rhyme
Rules and forms of classical poetic composition
Modes of ancient Chinese music
Significance of drawing lessons