从精神寻父到文化杀夫——论张洁文本中男性形象的互文性

From Seeking Father in Spirit to Kill Husband in Culture——On Men's Inter-textuality in Zhang Jie's Works

"互文性"理论认为,任何审美物象承载的审美意蕴都能跨越单一文本的界限,在其前其后的文本中找到投射的影子,并借助其他文本获得意义增殖。也就是说,一切艺术形象都具有承前启后、前后对接和相互渗透的功能。张洁文本中的男性形象,共同铸成了一个异形同构、相互指涉的人物艺术画廊。这多个人物之间存有一种内在的互文互证性,从某个侧面折射出新时期以来中国女性文学从精神寻父到文化杀夫的嬗变轨迹。

The theory of ＂Intertextuality＂ believes that any esthetic image＇ s implication can surpass the boundary of a sole text, and can be reflected in other texts, and obtains significance with help of other texts. That is to say, all images are embodied with functions of carrying on the task, tandem docking and fusing mutually. Male images in Zhang Jie＇ s texts establish a character corridor. There is some sort of inner inter - textuality among different characters, and reflect a trace, that is, Chinese women＇ s literature transform from seeking father in spirit to kill husband in culture in one asoect.