摘要
王国维美学对 2 0世纪中国美学有重要的影响和启示。在社会变革的历史关头 ,主流美学占据主导地位 ,不等于非主流美学没有自己的一定地位 ,它们都在发生影响 ,只是影响的范围、程度有别。把 2 0世纪中国美学的开山大师与其后的美学家比照 ,我们就会发现美学在中国发展中的起伏轨迹 ,尤其是非主流美学家命运的悲剧性 。
The aesthetics of Wang Guowei has produced great influence as well as inspiration on China's aesthetics in the 20th century. At a time when social change is the main theme, the main stream aesthetics plays a dominant role. But the non-mainstream aesthetics also takes a certain though small place. A comparison of the aesthetics of Wang Guowei, the founder of China's 20th-century aesthetics, with the succeeding aesthetes will shed much light on the ups and downs of aesthetics in China, particularly on the great misfortunes that the non-mainstream aesthetes suffered. This is a tragedy determined by the inevitable tragedy of the discipline.
出处
《思想战线》
CSSCI
北大核心
2000年第1期56-61,共6页
Thinking
关键词
王国维美学
20世纪
中国
美学
悲剧性
Wang Guowei's Aesthetic Theory
China's 20th-century aesthetics
the tragedy of aesthetics