东“源”西“流”——古楼兰鄯善地区米兰遗址佛寺翼像源流研究

The Orient "Spring" and the Occident"Branch"——On Figure with Wing of Buddhist Temple Coming from Milan Ruins of Ancient Kroraina & Shan Shan Kingdom Region

古楼兰鄯善地区米兰遗址佛寺翼像自被发现以来便在其时代源流等方面备受争议。流行观念中米兰遗址佛寺翼像为西源东渐的产物即肇始古希腊爱罗神或印度乾提婆护法神。实际上一直被学界视为有翼天使的佛寺翼像并非源自爱罗神或受其影响的飞天乾提婆,也同域外天使在内涵、特征及流布上迥然有别。经由史料、图像比较分析发现这种佛寺翼像与其说是印欧的有翼天使,毋宁说就是汉时羽人西渐同佛教东渐中共同作用下流变的产物。

Since the forming time ,spring and branch about the figure with wing of the buddhist temple coming from the Milan ruins of Ancient Kroraina ＆ Shah shah kingdom region has been disputed since it was discovered. In the popular idea, the figure with wing of the buddhist temple of Milan .should be the outcome of the west art figuer of ancient Greece Eros god or Indian Deva god spreading toward the Orient.In fact, the figure with wing of the buddhist temple viewed as angel with wing doesn＇t refer to Eros or Deva , and it appears obviously different from the angel coming out of westerm region on the aspects of intension, features and spread; After analyzing the history materials and figure through comparing with them, the figure with wing of the buddhist temple is discovered that it is more an outline that the Han dynasty plume immortal spreading toward the west and Buddhism spreading to the east actually affected each other than an angel with wing.