摘要
嘉禾伴嫁哭嫁是流传于湖南南部的一种民间礼俗,有着极为丰富的文化内涵,而积淀于其中的女性文化与女性意识所明确指向的社会、文化、自然三个不同层面相一致,即在活动中排斥男性,是不满足于自己所处的社会地位,对自己所受的压迫及其反抗压迫的觉醒;在创作中排斥男性,从创作主体的完全女性化到创作内容中的女性主题都与以男性为中心的主流文化相对立,呈现出一种独特的女性文化模式;而音乐中的阴柔性就是女性在生理方面的"自然体验"。
Jiahe crying marry & with marry ceremony is a folk custom in Southern Hunan. It has rich cultural connotation. The feminine culture and feminine consciousness from the ceremony clearly direct the same level of society, culture and nature, which is that male is rejected in the activities. It is an awakening of self unsatisfied social position, self oppression and against the oppression; Male is rejected in the pro- duce, and it opposes the male mainstream culture from feminizing completely the produce's main body to produe feminine subject. It appears a special feminine culture mode. The feminine in the music is the female physical "natural experience".
出处
《新疆艺术学院学报》
2011年第4期30-33,共4页
Journal of Xinjiang Arts University
基金
2009年度湖南省高等学校科学研究优秀青年项目"湖南嘉禾伴嫁哭嫁仪式音乐的人类学研究"(09B017)阶段性研究成果
关键词
嘉禾
伴嫁哭嫁
女性意识
Jiahe
Crying marry & with marry ceremony
Feminine consciousness