摘要
从宏观角度讨论了丝绸之路中有关图案起源、相互交流和共同发展的若干问题,并以典型纹样来说明。其中,很多图案不仅与特定动植物有关,甚至与建筑结构有关,且不同结构和样式之间的图案,看似无关,实质也有复杂的关系。因此,反对把不同图案加以割裂和区分开来后再行研究的方法,主张综合加以考察。
This paper discusses the origin of some patterns of the Silk Road from the macro perspective, their mutual exchange and joint development. It also describes several typical patterns for example. It was found that many patterns involve not only specific flora but fauna, and even the building structure. Patterns with different structure or style, even seemingly unrelated, have a complex relationship. Therefore, these patterns should be studied comprehensively, but not fragmentally and separately.
出处
《丝绸》
CAS
北大核心
2011年第12期45-52,共8页
Journal of Silk
基金
2007年度国家社会科学基金艺术学项目<我国西北部古代艺术的文化多样性研究--亚欧内陆与古代中国的文化交流>(07BA11)
关键词
古代纹样
枣椰纹
棕榈纹
心纹
忍冬纹
基本框架
相互交流
叠加创造
Date palm pattern
Palm pattern
Heart shape pattern
Honeysuckle pattern
Basic framework
Mutual exchange
Superimposed creation
Ancient patterns