阴阳同构与中国古典文论话语研究

A study of the Isomorph of Yin and Yang and the Discourse of Chinese Literary Theory

自列维—斯特劳斯提出西方文化、西方社会建基于二项对立这一深层结构的观点以来,寻找深层结构,并研究该结构对特定民族文化、文学及文论的建构影响,成为文论界研究的热点。中国文化创制方式、华夏民族对宇宙万物生成模式的认知模式决定着中国文化及文学、文论的深层结构是阴阳同构。在中国文化语境中,阴阳同构这一体系无所不包,在诸如中和美学、文气论、文章风格、文章章法结构等古典文论话语中,阴阳同构的深层结构在其概念的内涵外延上均有着深刻的体现。

It has been a hot spot in the circle of literary theory to seek the innermost structure and study its influence on the construction of the specific national culture, literature and literary theory since Levi Strauss put forward the idea that the Western culture and society were established on the basis of the innermost structure of binary opposition. The mode of Chinese culture formation and the cognitive pattern of the Chinese nation on the generative model of all things in the universe determine the innermost structure of Chinese culture, literature and literary theory which is the isomorph of Yin and Yang. In the context of Chinese culture, the system of the isomorph of Yin and Yang includes everything. In the discourse of the classical literary theory such as neutral aesthetics, coherence of writing, style of articles, structure of article, the innermost structure of the isomorph of Yin and Yang is profoundly embodied in both their connotations and denotations.