摘要
邵洵美是中国二十世纪三、四十年代重要的唯美主义诗人和诗论家。他对探索中国新诗的出路,做了深入思考。他的诗论文笔洗练,观点鲜明,自成体系。其早期诗歌显示出较多的模仿色彩,诗论多是译介英国唯美主义理论;后期他总结了中国新诗历程,自觉探索新诗出路,诗歌创作和诗论上都有了较为成熟的表现。
Sinmay Zao is an important poet of aestheticism and poetry theorist in twentieth-century China. To explore the way of the new Chinese poetry, he spares no effort to do the research with profound thinking. His poetic essays are pure, clear and self-contained. His early poems show more imitating colors, and poetic theory is mainly translated from British aesthetic theory; later he sums up the history of new Chinese poetry, exploring the development of poetry consciously, so both his poetry and poetics are more mature than his early ones.
出处
《青岛大学师范学院学报》
2011年第4期113-117,共5页
Journal of Teachers College Qingdao University
关键词
邵洵美
唯美主义
新诗
诗论
Sinmay Zao
Aestheticism
poetry
poetics