《建构文化研究》译后记(下) 被引量：11

Introduction to the Chinese Edition of Kenneth Frampton's Studies in Tectonic Culture(Part Ⅲ)

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摘要文章以译后记的形式对弗兰姆普敦《建构文化研究——论19世纪和20世纪建筑中的建造诗学》的基本内容进行评述。结合近几年来国内外建筑学界关于"建构"问题的理论翻译和讨论,文章还对"建构学"在我们时代的意义以及与中国建筑的关系进行解读。文章分为上、中、下三部分。本期刊登的是第三部分。 Written in form of the translator＇s introduction to Kenneth Frampton＇s Studies of Tectonic Culture, and looking into the translations and discussions of architectural tectonics during the past years in China and abroad, this article aims at an examination of relationship between tectonic thinking and our own time as well as the Chinese architecture. This is the second part of the article that is divided into three.

作者王骏阳

机构地区同济大学建筑与城市规划学院高密度人居环境生态与节能教育部重点实验室

出处《时代建筑》 2011年第6期102-111,共10页 Time + Architecture

关键词《建构文化研究》建构学当代建筑批判建筑学戏剧性的建筑视觉盛宴建筑学 Studies in Tectonic Culture Tectonics Architecture of Our Time Critical Architecture Architecture of Theatricality Spectacle Architecture

分类号 TU-0 [建筑科学—建筑理论]

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参考文献25

1Kate Nesbit, "Introduction", Theorizing a New Agenda for Architecture. An Anthology of Architectural Theory 1965-1995[M]. New York: Princeton Architectural Press, 1996: 17-18.
2Frampton K. Rappel al ordre, the case for the tectonic[M]// Kate Nesbit. Theorizing a New Agenda for Architecture. An Anthology of Architectural Theory 1965-1995 . New York: Princeton Architectural Press, 1996: 518.
3Demetri Porphyrios. The Thicket is no Sacred Grove[J]. Modern Architecture and the Critical Present, Architectural Design, 1982.
4肯尼斯.弗兰姆普敦.建构文化研究--论19世纪和20世纪建筑中的建造诗学[M].王骏阳,译.北京:中国建筑工业出版社,2007.
5Kenneth Frampton. Towards a Critical Regionalism: Six Points for an Architecture of Resistance[M]//Hal Foster. The Anti- Aesthetic: Essays on Postmodern Culture. Port Townsend , Washington: Bay Press, 1983: 16-30.
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7Gevork Hartoonian. Ontology of Construction: On Nihilism of Technology in Theories of Modern Architecture[M]. Cambridge: Cambridge University Press, 1994.
8Gevork Hartoonian. Crisis of the Obeject: The Architecture of Theatricality[M]. London and New York: Routledge, 2006.
9Fritz Neumeyer. The Artless Word: Mies van der Rohe on the Building Art[M]. Cambridge, Mass. and London: The MIT Press, 1991: 196-236.
10Gevork Hartoonian. Crisis of the Obeject: The Architecture of Theatricality[M]. London and New York: Routledge,2006.

二级参考文献33

1Gottfried Semper,Der Stil in den technischen und tektonischen Kunsten oder Praktische Asthetik.Ein Handbuch furTechniker,Kunstler and Kunstfreunde,2 vols.(Frankfurt am Main:Verlag Fur Kunst & Wissenschaft,1880; Munich:F.Bruchmann,1863).
2Semper G.The Four Elements of Architecture and Other Writings.Translated by Harry Francis Mallgrave and Wolfgang Herrmann.Cambridge[England].New York:Cambridge University Press,1989.p240-263.
3Gottfried Semper,translated by Harry Mallgrave and Michael Robison.
4Style in the Technical and Tectonic Arts.
5Practical Aesthetics.Los Angeles:the Getty Reseach Institute,2004.p237-253.
6Athenaeus 12.525.TRANS.
7"Ueber fie formelle Gesetzmassigkeit des Schmuckes und dessen Bedeutung als Kunstsymbol," by G.Semper (Zurich,1856).Published in the Monastsschrift des wissensch[aftlichen]Vereins in Zurich and available separately from Meyer & Zeller in Zurich.
8Aristophanes,Nubes 987.
9Athenaeus[1.39.1].See B?ttiger,[Griechosche]Vasengem[?lde,vol.1,pt.]2:S6.[Also B?ttiger,Ideem zur]Archaeologie der Malerei,210.
10Bottiger,Kleine Schriften,3:260n.[Johann Joachim]Winckelmann,Storia dellearti,1:98,with[Carlo]Fea' snore.