摘要
2011年度"树石论坛"试图触动学术活动常被遮蔽的一面,正面审视现代性与本土文化,唤起观念的批判力量。建立本土文化的主体意识,对形式与意义,环境与根性进行双重反思。在汲取日本与印度建筑界在相同语境下的应对策略的同时,针对中国本土的现代性转化问题进行进一步思考。现代性的重临与本土的再造将被我们视为一种本真的文化批判而在场,由此呼唤着另一种人类空间存在的全面图景。
The 2011 Shushi Forum attempts to reveal the often hidden aspect of academic activities and tackles modernity and local culture head on in the hope of awakening the critical power of concepts, establishing the subjectivity of local culture in order to reflect doubly on the dichotomies of form and meaning, circumstance and rootcause. While drawing upon the strategies of Japanese and indian architects in similar contexts, we aim at deepening our reflections on the transformation of modernity of the Chinese context. The reflection on modernity and reconstruction of the local will be seen as present due to its authenticity as a cultural critique, thereby evoking an alternative panoramic vision of the existence of human space.
出处
《时代建筑》
2011年第6期138-141,共4页
Time + Architecture
关键词
现代性
本土化
观念
形式
环境
城市
批判
Modernity
Localization
Concept
Form
Circumstance
City
Critique