论赵树理小说人物的戏曲丑角化

On the Dramatic Clownization of the Figures in Zhao Shuli's Novels

从戏曲丑角的造型、表演、脸谱等艺术特征和审美思维入手,重新阐释赵树理小说中丑角系列的落后人物是很有意义的。赵树理成功地引入"彩旦"、"方巾丑"等地方戏曲中丑行的角色特征与功能,使他的《小二黑结婚》等小说达到了雅俗共赏的独特的喜剧效果;同时,戏曲资源的引入,也使之与现代小说规范形成独特的紧张关系。

It is very significant to give a new interpretation to the series of clowning and backward figures in Zhao Shali＇ s novels from the perspectives of artistry and aesthetics of the sculpting, performance and masks of the clowns. He successfully introduced the clownism of the ＂funny ugly ladies＂ and the ＂clowns with square caps＂ from local dramas, created a comedic effect in his novels such the Marriage of the Young Black Number Two, which suits both refined and popular tastes. At the same time, the introducing of drama resources also created a special tension between his novels and the standards of modern novel.