摘要
生态批评在中国十年的蓬勃发展,既是文艺研究兴盛使然,亦为日益恶化的环境语境所催生,也因此将文化、自然双重生态问题结合起来加以观照。剧烈的社会变迁、古老的自然美学,传统与现代的融合交错使得原本舶来的生态批评逐渐具备了成熟的本土化特色,中国生态批评从而成为理论流行并得以重新建构的范例。
The prosperous development of ecological criticism in China in the past ten years is promoted by both the following two factors : the thriving of the research of literature and art, and the context of increasingly deteriorating environment. It also provides a combined perspective of both cultural and natural ecological issues. The merging and mixing of dramatic social transition, ancient natural aesthetics, tradition and moder- nity, etc. , have gradually endowed the exotic ecological criticism some matured and domestic features, thus make Chinese ecological criticism a sample of theoretical popularity and re -construction.
出处
《南京师范大学文学院学报》
CSSCI
2011年第4期32-37,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
江苏高校优势学科建设工程
关键词
生态批评
环境
美学
重构
ecological criticism
environment
aesthetics
reconstruction