摘要
中国新生代导演李玉的电影注重对人的生存环境的再现和描摹;既有残酷青春、迷失心灵的呈示,更借助女性生存境遇的描摹,演绎恒久生命漂流的主题,并发出对生命终极意义的追问。在拍摄"主流艺术电影"的观念指导下,李玉电影在叙事上经历了从事件电影到情绪电影的改变,在影像风格上完成了从凝重单纯到悸动热烈再到安静压抑的变化,强烈的艺术气息贯穿了全部的创作。李玉电影特有的社会文化价值对于中国电影创作具有启示意义。
The movies directed by Li Yu, the new generation Chinese director, lay emphasis on reproducing and depicting the environment of human existence ; there are demonstration of cruel youthfulness and lost spirits ; they also deduce the permanents theme of life' s drifting by description of the females living encountering, and give out the inquiring for the fundamental meaning of life. Guided by the idea of producing "mainstream art movies", the narration of Li Yu' s movies have gone through the process from event movie to emo- tion movie, the image style has completed the changes from heavy simplicity to throbbing fervency, and return to tranquil constrain, the strong artistic flavor has run through all of his works. The special social cultural values of Li Yu's movies have revelatory significance to China' s movie creation.
出处
《南京师范大学文学院学报》
CSSCI
2011年第4期56-59,共4页
Journal of School of Chinese Language and Culture Nanjing Normal University