摘要
在女性主义出现之前,对女性作曲家的评价多为微不足道、劣等、娱乐性、不入流等,上世纪七八十年代之后,女性主义对女性作曲家及其音乐现象进行集体反思,认为女性处于劣等的地位并不在于女性本身,而在于整个社会的制度和性别观念,文章即是以女性主义视角对陷落于父权社会中女性作曲家的反思。
Before the advent of feminism, the evaluation of women composers was mostly insignificant, inferior and of entertainment, etc. In the 1970s and 1980s, having had a collective reflection on women composers and their music phenomena, the feminist concluded that the inferior position of women did not rest with the women them- selves, but the entire social system and ideas of gender. This article is a feminist reflection on women composers falling in a patriarchal society.
出处
《星海音乐学院学报》
CSSCI
2011年第4期120-128,共9页
Journal of Xinghai Conservatory of Music