摘要
晚明诗论家许学夷以精于辨体著称,其《诗源辩体》通论先秦至晚唐诗之演变。所论汉魏六朝诗部分,力求调和七子派宗汉魏黜六朝与六朝派嗜好"偏奇"、公安竟陵"诡诞相尚"之间的理论对峙,通过对诗歌体制中俳偶、声韵等因素的详尽考察,把握汉魏六朝诗歌的流变轨迹,并对此前"诗溺于陶"的辨体命题予以修正,为该段诗史研究确立了系统的辨体认知方式。
Xu Xueyi,a critic of poetry,is skilled in distinguishing poetic forms in different dynasties. His work Ci Yuan Bian Ti mainly discusses the evolution of poetry from before Qin dynasty to Tang dynasty. In commenting on poems of Han, Wei and Six Dynasties, he tries to balance contrary views from different schools of poetry, and also reevaluates Tao Yuanming＇ s position in the history of literature. Through investigating into the formal changes of antithetical par- allelism and sound in different dynasties,he precisely describes the evolutionary trend of poetry in Han,Wei and Six Dynasties. This academic achievement in poetry embodies his work＇ s theoretical values.
出处
《河北科技师范学院学报（社会科学版）》
2011年第4期6-10,25,共6页
Journal of Hebei Normal University of Science & Technology(Social Sciences)
基金
教育部人文社科研究规划基金项目"明人对中古诗歌的文献整理及诗学批评研究"(10YJA751008)
关键词
许学夷
辨体
汉魏六朝诗史
正变
Xu Xueyi
form-distinguishing
history of poetry in Han, Wei and Six dynasties
tradition and changes
