论电影受众的窥视审美体验

Discussion on Peep Aesthetic Experience of Film Audience

精神分析学电影理论对影像的理解是电影艺术研究逐渐由客体影像研究向主体受众研究转变的过程,其对电影受众的窥视审美体验的重视是一种辩证的历史发展逻辑的必然结果。精神分析学电影理论将银幕隐喻为"镜子"阐释了电影受众窥视审美体验的发生机制,而其对电影———"梦"的理解更成为电影受众窥视审美体验发生的关键。电影受众窥视审美体验的发生是受众以窥视为心理基础,以认同为心理机制的重要观影心理活动。

The understanding of image in the Psycho-analysis film theory is a process during which the study of object images is transformed into the study of main audiences. And it is an inevitable dialectical logic result during the histor- ical development, which pays attention to peep aesthetic experience of film audiences. In the psycho-analysis film theo- ry,the screen is considered as ＂mirror＂ that explains the occurrence mechanism of peep aesthetic experience of film audiences. And the understanding of film-＂ dream＂ becomes the key to peep aesthetic experience of film audiences. The peep aesthetic experience of film audiences that takes the peep as the psychological basis and the approval as the psychic mechanism is an important viewing psychological activity.