摘要
唐宋诗词里的意象词汇基本涵盖了社会生活诸层面,其被艺术化过程当与唐宋社会生活变迁息息相关。比如唐诗宋词的"南浦",一如北方的"长亭",常常被用来代指南方送行的场所。但宋代诗词中的"南浦",尤其对举名词"西山"、"南浦",在其成为意象名词之初并非泛指送行场所,至少在宋代文人赋予其意象功能之前还仅仅是某个景观方位名词。然而,由唐到宋,随着市俗文化的发展,这些原本朴素的地理方位或景观名词被文人们在诗词之中大量使用,从而赋予其多重的文化意蕴,进而借助其市俗社会生活的真实情态,勾勒出浓重的艺术情感。
The image words in Tang and Song poetry come from the social life. Such as "Nampo", like "pavilion" is often used as a place off. But the "Nanpu" in the Song Dynasty poetry, which, especially gives the term "Western Hills", "Nanpu" in the beginning of its term as the image is not a generic off place, at lea^t in the Song Dynasty scholar to give its image before the function is just a landscape orientation term. However, from the Tang to Song, along with the devel- opment of public culture, the geographical location of these original plain text or landscape term is widely used among people in the poetry, giving the multi-cultural meaning, and sketched out a strong artistic emotion.
出处
《湖南师范大学社会科学学报》
CSSCI
北大核心
2012年第1期116-119,共4页
Journal of Social Science of Hunan Normal University
基金
上海市教委中国古代史重点项目"宋代文人情感构造的视点"(J50405)
关键词
宋代
文人
南浦
意象
情感构造
the Song Dynasty
scholars
nanp'u
image
emotion