自然音阶与三度叠置思维衍展的八声音阶相互作用——席曼诺夫斯基《第一弦乐四重奏》第三乐章多调性的构成与运作方式被引量：1

Diatonic and Octatonic Interaction:Construction and Manipulation of Polytonality in The Third Movement of String Quartet No.1 by Karol Szymanowski

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摘要《第一弦乐四重奏》第三乐章是席曼诺夫斯基中期创作的多调性作品,针对本曲的认识目前还停留在对开始四件乐器分别有各自不同调号现象上的表层描述阶段,本文借助技术理论领域主要对斯克里亚宾、德彪西和斯特拉文斯基音高结构体系的研究成果,寻求席曼诺夫斯基与其前辈及同时代作曲家在音高结构组织及多调性技法方面的内在联系,提出八声音阶为本曲音高深层结构基础、起控制和统一整体音高结构的论点,并对表层旋律的调性自然音体系与以三度叠置思维衍展的八声音阶相互作用的实践进行了论证性分析。 The third movement of String Quartet No. 1 by Carol Szymanowski is remarkable by its poly- tonal character. Supported by main theoretical achievements on Scriabin, Debussy and Stravinsky, the present study is to go beyond surface identification of polytonality in an effort to explore the inner relationships between Szymanowki and his precedents as well as his contemporaries in the aspect of pitch structure, to put for-ward an argument, in which diatonic and octatonic elements are structurally and motivically interacted, and finally, to illustrate the applications of those procedures in the current movement.

作者郭新

机构地区中央音乐学院作曲系

出处《黄钟（武汉音乐学院学报）》 CSSCI 北大核心 2012年第1期3-21,共19页 Huangzhong:Journal of Wuhan Conservatory of Music

关键词多调性自然音阶八声音阶八度内均分对称结构席曼诺夫斯基《第一弦乐四重奏》 polytonality diatonic scale octatonic scale equal partitions of the octave symmetrical structure Karol Szymanowski String Quartet No. 1

分类号 J614.3 [艺术—音乐]

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参考文献22

1Forte, Allen. "Debussy and the Octatonic. " Music Analysis , 10/1-2(1991) , P. 153-155.
2Bass, Richard. "Models of Oetatonic and Whole-Tone Interaction: George Crumb and his Predecessors. " Journal of Music The- ory, Vol. 38, No. 2 (Autumn1994), P. 155-186.
3Perle, George. "Scriabin's Self-Analyses," Music Analysis 3/2(1984), P. 104-109.
4Forte, Allen. "Debussy and the Octatonic. " Music Analysis, 10/1-2(1991) ,P. 153o.
5Bass, Richard. "Models of Octatonic and Whole-Tone Interaction: George Crumb and his Predecessors. " Journal of Music The- ory, Vol. 38, No. 2 (Autumn1994), P. 159-161.
6Bass, Richard. "Models of Octatonic and Whole-Tone Interaction: George Crumb and his Predecessors. " Journal of Music The- ory, Vol. 38, No. 2 (Autumn1994), P. 161.
7Bass, Richard. "Models of Octatonic and Whole-Tone Interaction: George Crumb and his Predecessors. " Journal of Music The- ory, Vol. 38, No. 2 (Autumn1994), P. 160-161.
8Van den Toorn, Pieter C. TheMusic of Igor Stravinsky, Composer of the Twentieth Century Series, New Haven: Yale Univer- sity Press, 1983, P. 147.
9Van den Toorn, Pieter C. TheMusic of Igor Stravinsky, Composer of the Twentieth Century Series, New Haven: Yale Univer- sity Press, 1983, P. 149.
10Bass, Richard. "Models of Octatonic and Whole-Tone Interaction: George Crumb and his Predecessors. " Journal of Music The- ory, Vol. 38, No. 2 (Autumn1994), P. 155-186.

二级参考文献3

1Szymanowski. Karol. 1 Koncert Skrzypcowy[Z]. Wien: Universal Edition A. G., 1976.
2Szymanowski, Karol. I Korwert Skrzypcowy. Wyciag Fortepianowy [ Z]. Krakow. Polskie Wydawnictwo Muzyczne : 1952.
3鲁道夫·雷蒂郑英烈译.调性·无调性·泛调性-对二十世纪音乐中某些趋向的研究[M].北京:人民音乐出版社,1992..