苦难的歌者——解读加华小说《红浮萍》的女性主体性表现

Suffering Singer——On Female Subjectivity in Chinese Canadian Novel Daughters of the Red Land

旅加华人作家李彦通过《红浮萍》描写了中国四十年代至改革开放时期三代女性的人生境遇,呈现了一个家族和历史的变迁。本文从女性主义视角出发,对小说中生存和爱情母题的女性主体性表现进行解读,力求揭示苦难中的女性找寻自我、追求独立人格与尊严过程中的曲折、困惑及为之付出的不懈努力。

In Daughters of the Red Land, elist, describes three generations of women＇ s the masterpiece of Li Yan, a Chinese Canadian novfate and experience from 1940s to the era of Chinese and opening - up, presenting the changes of a big family and society. From the perspective of Feminism, the paper interprets female subjectivity in surviving and love motif in the novel, revealing the tortures, confusions and struggles that women experience in seeking of true self, independent personality and indignity.