雪莱文学形象的建构:以1908-1937年的英国文学史为例

Construction of P.B.Shelly's Literary Image: Take English Literary History during 1908-1937 as an Example

本论文重点梳理1908-1937年间,在中国出版的5部英国文学史对诗人雪莱的论述,力图比较清晰地勾勒出文学史对于雪莱文学形象的建构。从明显受到泰纳文学史观影响的王靖和欧阳兰的英国文学史的书写,到曾虚白、林惠元、金东雷等人翻译或者撰写文学史时,分别侧重雪莱的"最好的歌者"和"革命的诗人"的形象定位,论文希望通过对第一手资料的讨论,分析雪莱如何以文学史叙述的方式进入了当时的文学想象。这样的叙述和报刊杂志中对雪莱的论述是一种同构,共同完成雪莱在中国这一论题。

The essay attempts to discuss how the English poet Shelley enters Chinese readership＇s literary imagination through the representations of five histories of English literature, during the period of 1908 - 1937. While Wang Jing and Ouyang Lan suggest the influence of Taine＇s idea of history of literature, Zeng Xubai emphasizes the poet＇s crystalization of poetic affections. Through his translation, Lin Huiyuan sings the praise of Shelley＇s lyrics and eulogizes the poet as ＂the best singer＂. Finally, Jin Donglei presents the image of Shelley as a revolutionary poet, subscribing to the popular revolutionary discourse of the time.