论贾平凹小说《秦腔》语言的音乐性

On Musicality of the Language in the Novel The Accent of Qin by Jia Pingwa

贾平凹非常注重小说语言的使用,他在《秦腔》中穿插了许多能造成音乐性的手法,如对于叠字和拟声词的频繁运用、对特殊用意词语或句子的有意反复、对短句间或夹杂长句的大量使用以及对秦腔戏文内容和简谱的直接引用等。运用这些手法,表现了跌宕起伏的节奏感和深刻的感染力,使《秦腔》的语言具有了同戏剧秦腔一样的音乐性。

Jia Pingwa pays much attention to the language of the novel. To show the musicality of the language in The Accent of Qin, he uses many techniques, including the frequent use of reduplication and onomatopoeia, the deliberate repetition of implied diction, the wide use of the insertion of long sentences into short verse, and the direct quotation of the contents and numbered musical notations of Shaanxi Opera. Such techniques contribute to flowing rhythm and profound artistic appeal and render the language of The Accent of Qin as musical as the tune of Shaanxi Opera.