摘要
明代刊刻唐诗选本的风气很盛,重要的唐诗选本的选诗宗旨及规模架构又刺激了明代诗论的发展。而要论及唐诗选本在明代的发展,就不能不提到杨士弘的《唐音》。《唐音》是一部及其有特色的选本,后人高儒之、高棅、李东阳等都给予其高度的评价。在探讨《唐音》的编选目的、体例后,我们可发现它对于"专取乎盛唐"标准的坚守及"格调"与"世变"相结合的双重构建模式。
In The Ming Dynasty, the atmosphere to inscribe Tang Poetry Anthology is prosperous. Both the tenet of the selected poems and the scale of architecture on important Tang Poetry anthology have promoted the prosperity of the Poetry in Ming Dynasty. Whenever the development of Tang Poetry anthology in the Ming Dynasty is mentioned, Yang Shi hong's "Tang Yin"leap to our mind. "Tang Yin" is a very distinctive anthology, on which Gao Ruzhi, Gao Bing, Li Dong yang all made their highly comments. This paper will explore its editorial purpose and style, its adhering to the standard of "concentrated on flourished Tang" and the double construction pattern that combined "style" with "wind blows".
出处
《浙江工商职业技术学院学报》
2011年第4期20-27,共8页
Journal of Zhejiang Business Technology Institute
关键词
唐音
体例
选录标准
构建模式
Tang Yin
system
selected standards
construction pattern