摘要
明代肖像画在历经唐宋元的延续与嬗变之后,达到一个艺术高度,并形成了鲜明的特色与完善的体系。透过大量的存世之作,我们有幸较全面地认知其艺术高度以及相关时代社会、文化背景。
After the continuation and evolution of Tang,Song and Yuan dynasties,the portraits in Ming Dynasty had reached a peak of art,and formed the distinct features and improvement of the system.Through a large number of the works preserved by now,we have comprehensively discussed the art and related social,cultural background.
出处
《中南林业科技大学学报（社会科学版）》
2011年第6期153-154,共2页
Journal of Central South University of Forestry & Technology（Social Sciences）
关键词
明代肖像画
传神写照
艺术手法
人物画论
the portraits in Ming Dynasty
vivid portrayal
forms of arts
theory of the figure painting
