永世为农的文学表达——重读李锐《厚土》系列小说

Li Rui's Series of Novels Thick Soil Reinterpreted

李锐的《厚土》系列小说艺术性颇高。80年代批评在评价李锐的《厚土》系列小说时,将对艺术性的发现组织到"民族文化心理"的揭示上,因而忽略了对其艺术性的有效阐释。论文从审美批评的角度重读《厚土》,认为《厚土》以非现代亦非田园的时空建构与"滴——滴"式叙事结构,达到了对在乡土中国永世为农的人的处境的文学表达。

Li Rui＇ s series of novels Thick Soil are of high artistic quality; however, their critique in the 1980s focused on the relevation of their ＂national culture psychology＂ to the neglect of the effective illustration of their artistry. By reinterpreting Thick Soil in the persepctive of aesthetic criticism, this paper opines that the novel has expressed in a literary manner the conditions of persons dedicated to farming all their lives in rural areas through the framework of neither modem nor pastoral time-space and the ＂tick-tick＂ narrative structure.