摘要
论文认为阿来的小说,更多地带有一种现代主义色彩,总是可以让人感受到一种绕之不去的的反讽意味,这可以说是阿来小说的一个美学基调,一种存在的主旋律。论文从"傻子"原型背后的反讽叙述机制、边走边想的独行者、神的解体与招魂三方面来探讨阿来的小说与西方反讽精神之间的复杂丰富关系,以此凸显阿来小说在当代文坛的独特艺术性和审美性。
It readers to have a is opined in this paper that there is in Ah Lai' s novels a modernist style, thus lingering enabling sense of irony, which can be considered an aesthetic mood and the main melody of existence in Ah Lai' s novels. In this paper, a probe is made into the complex and ample relationship between Ah Lai' s novels and the Western spirit of irony in terms of the narrative mechanism of irony behind the prototype of the "idiot", the loner thinking while walking, and God' s disintegration and evocation so as to highlight the unique artistic quality and aesthetics of Ah Lai' s novels in the contemporary literay circles.
出处
《海南师范大学学报(社会科学版)》
2011年第6期82-87,共6页
Journal of Hainan Normal University(Social Sciences)
关键词
阿来
小说
西方反讽精神
影响关系
Ah Lai
novels
the Western spirit of irony
influence and relationship