触觉美感的美学依据——论书法艺术的触觉美感其二

On the Aesthetic Feeling of Touch Sense in Calligraphy——The Aesthetic Basis of Touch Sense

触觉美感是一个被美学忽视的问题。西方理性主义传统美学错误地认为"触觉"只是本能的官能感觉。而其宗教视之更不在话下。中国审美文化也避讳或忽略这个问题,但从其整体思维与全面体味的思维方式和审美情趣上看,似乎隐隐地透露出"触觉美"的一些信息。马克思关于"整体的人"和"人的本质力量"以及人与自然、人与工具等重要思想是我们思考"触觉美感"最重要的理论基础。

Touch aesthetics is easily to be overlooked by aesthetic studies.Western aesthetic tradition tends to consider ＂touch sense＂ as instinctual and functional.Western religion also tends to despise ＂touch sense.＂ Chinese culture of aesthetics vaguely implied the importance of touch aesthetics.In discussing touch aesthetics,I propose we use Marx＇s concepts of ＂total man＂ and ＂essence power＂ as the theoretical framework,especially Marx＇s discussion on the relationships between man and nature,man and tools.