歙县圣僧庵壁画《侧坐观音图》初探

Research on the Painting of The Side Image of Guanyin in Shengseng Nunnery in She County

明代黄柱的《侧坐观音图》在造型上体现了观音造像的风格演变,技法上又突破了传统宗教壁画的工笔重彩技法,采用水墨写意的表现手法与诗书画结合的表现形式,开创了宗教壁画创作的新篇章,也体现了圣僧庵壁画的创作思想,具有浓厚的文人意趣。

The Painting of The Side Image of Guanyin drawn by Huang Zhu in the Ming Dynasty manifests a style transformation of the image of Guanyin. Technically speaking, it is a breakthrough of the traditional wall-painting technique which puts much emphasis on the meticulous brushwork and enriched colors. By adopting .the technique of freehand brushwork of ink painting and a combination of poetry; calligraphy and poetry, this painting starts a new chapter in religious wall-painting, and embodies the creative thought of wall-paintings in Shengseng Nunnery with strong literati interest and charm.